The Driving Question

What is music beyond sound, and how can mathematics reveal the cultural and human patterns embedded within it?

The Project: Visualizing the Numbers in Music

In response to this question, Huxley developed a computational and cultural exploration of music, transforming sound into data-driven visualizations that reveal its hidden mathematical structures while honoring its cultural roots.

The Conceptual Goal

Huxley challenges the idea that music is only what we hear, proposing instead that music exists across multiple forms such as video, sheet music, and MIDI. His goal was to redefine music as a combination of human experience, cultural identity, and structured patterns.

Mathematics & Technology

Using Fourier transforms and programming, Huxley converted audio signals into numerical data. These numbers were then analyzed and translated into visual representations, allowing patterns like rhythm, melody, and harmony to be seen rather than just heard.

Decoding the Visuals

The resulting visualizations communicate multiple musical elements simultaneously:

• The central spectrum represents the frequencies present in the sound.
• Color indicates root notes and tonal shifts.
• Texture reflects noise levels and rhythmic complexity and spiral shapes and spacing reveal drum patterns and timing structures.
  

Cultural Context & Meaning

To ground his project in lived experience, Huxley explored the deep cultural significance of music in Brazil:

• Music as Identity: In Brazilian culture, particularly in Bahia, music is inseparable from daily life, history, and spirituality.
• Spiritual Foundations: Through Candomblé, an Afro-Brazilian religion, rhythm becomes a form of connection between people and deities (orixás), each associated with specific musical patterns.
• Celebration & Community: Events like Carnival demonstrate music as a collective expression of joy, resistance, and cultural pride, where rhythm and movement unify communities.

Final Product

The project culminated in a presentation combining cultural analysis, mathematical modeling, and interactive visualizations.
Huxley demonstrated how computational tools can uncover the structural patterns of music while maintaining its human and cultural significance.

The Summative Reflection

He concludes that while there are “numbers in the music,” music itself cannot be reduced to data alone. It is ultimately defined by the people behind it—their experiences, emotions, and cultural contexts—making music both a mathematical structure and a deeply human expression.

Driving Question:

How can we improve earthquakes preparedness in Vancouver through collaboration and innovation?

Module Summary:

The teacher-led module “Quake Quest” explores the science, history, and societal impact of earthquakes in Vancouver and the surrounding region. Guided by the driving question, how can we improve earthquake preparedness in Vancouver through collaboration and innovation, students investigate the risks associated with seismic activity and the strategies communities use to prepare for and respond to natural disasters. The module emphasizes interdisciplinary learning, combining science, mathematics, history, and technology to better understand earthquake preparedness.

Throughout the module, students learn from guest speakers, field experiences, and hands-on investigations that deepen their understanding of earthquakes and disaster response. Students explore Indigenous knowledge through stories such as the Thunderbird and Whale, which help explain natural phenomena and preserve historical records of seismic events. They also receive training in emergency preparedness from Christine Bodnarchuk of the BC Earthquake Alliance, learning essential safety practices such as “Drop, Cover, and Hold On.” Additional speakers introduce topics including search-and-rescue operations with trained dogs, artificial intelligence in disaster response, and the role of satellite data in detecting ground movement after earthquakes.

Students also participate in experiential learning opportunities, including visits to local geological landmarks along the Sea-to-Sky corridor and the Museum of Anthropology, where they explore both the geological causes of earthquakes and their cultural and historical impacts. In their final assessments, students apply their learning by creating tabletop games that incorporate earthquake science and probability concepts, as well as developing AI-based proposals aimed at improving earthquake preparedness, response, and recovery. Through these projects, students demonstrate how collaboration, technology, and education can help communities better prepare for future seismic events.

Driving Question:

How might I refurbish a van to a standard at which I can comfortably travel, live, and thrive in ?

Project Summary:

Sally, a grade 12 student from the UK, has always had a passion for adventure and the outdoors. Whether playing rugby, helping in the garden, or camping, she was often found outside, regardless of the weather. This love for nature inspired her mastery project: transforming a cargo van into a tiny home on wheels, aptly named “Vroom Room.”

The project began with Sally purchasing a 2016 Renault Kangoo van, which she named Reggie. The process was lengthy, involving careful consideration of mileage, age, and build size. Once she had the van, Sally embarked on learning interior design, focusing on color schemes and creating electrical systems, particularly solar-powered ones. She developed a 3D model using an analogous color scheme with yellows, greens, and oranges.

Sally faced significant challenges, especially with the electrical system. Despite seeking help from friends experienced in robotics, she had to experiment repeatedly before successfully creating a dual system powered by solar energy and the van’s starter battery. This system now supports a fridge, USB ports, spotlights, and a water pump.

The construction phase involved measuring, cutting, insulating, and wiring the van. Sally encountered multiple obstacles, such as ensuring the wiring wouldn’t break from the van’s vibrations and addressing condensation issues to prevent mold. Time constraints also pressured her, but with the help of an external mentor specializing in furniture design, she completed the interior furnishings swiftly.

With the assistance of another mentor in renewable engineering, Sally learned wiring, soldering, and connecting systems. After overcoming numerous hurdles, she successfully transformed the bare cargo van into a functional tiny home. The finished van includes a bed, foldable tables, flowing water, and fully operational electrics.

Driving Question:

How can we apply the Japanese approach of cultural conservation to design for architectural renovation or innovation in our own home cities?

Module Summary:

The teacher-led module “A Tale of Two Cities” focuses on architectural innovation and cultural conservation. The students got to explore how Japanese cultural conservation approaches could be applied to architectural renovation in their home cities. Throughout the term, they had the opportunity to learn from local and global architectural techniques and delve deeper into their own cultural techniques.

Kenzo W.’s 3D design for the Tale of Two Cities module is a modern Japanese resort/vacation home located in Karuizawa, a town in Nagano prefecture, Japan. This house is designed to accommodate 2-4 residents during the summertime and integrates both traditional and modern Japanese architectural concepts and furnishings, reflecting a blend of his artistic choices and elements from the Japanese lifestyle.

The key Japanese architectural concepts Kenzo W. focused on were Oku (depth) and the Doma (earthen floor), which were highlighted by guest speaker Professor Daniel during the Kyoto Wexplore. Professor Daniel explained these concepts and their connection to Japanese culture, and the session venue itself represented Oku, the Doma, and the Nakaniwa. In Kenzo’s design, Oku is represented through the flow of the house, emphasizing the concept of depth within a building. The bedroom, the most private part of the house, is the room that requires the most walking to reach, with personal activity spaces like the living room, recreational room, and dining room leading up to it. Despite the large windows on the second floor, there is no direct access to the outside environment.

The Doma is incorporated through the literal use of an earthen floor in the entryway, serving as a foundation and a slight height difference from the garden and the interior of the house. This facilitates the Japanese tradition of removing shoes when going inside and outside, supported by a shoe box, and acts as a border and gateway to the outside spaces of the house. Kenzo also included Shoji, Tatami, and Futon furnishings to suit the Japanese lifestyle for the intended residents, making the house cozy and representative of a traditional Japanese lifestyle, ideal for his family as a vacation home.

One of the unique elements Kenzo W. focused on is the roofing, which he considers a key identifying feature of a Japanese house. The design features an angled sloped gable roof fused with a smaller gable roof at a 90˚ angle, emulating the curves of natural environments and avoiding a cubic appearance. This roof design opens up on one side to create more space for windows in the living and recreational areas, directing the house’s face towards a scenic view.

Kenzo chose to incorporate modern architectural elements as a personal aesthetic preference, inspired by the style of Japanese villa homes, such as those designed by M’s architect. This is reflected in his choice of a gray and brown color scheme from wood and metal materials. He also considered the environment by incorporating large windows facing a predominant direction to take advantage of views such as a sunrise, sunset, or mountain scenery.

Driving Question:

How can Japanese visual storytelling techniques document historical and cultural events?

Module Summary:

The Manga Evolution module explored how Japanese visual storytelling techniques document historical and cultural events. The module covers traditional Japanese art forms like sumi-e (ink painting), ukiyo-e (woodblock printing), kamishibai (oral storytelling), and manga (contemporary art form).

The students practiced dynamic movement in sumi-e, created layered prints in ukiyo-e, analyzed anime like “Demon Slayer,” and learned to read and draw manga. They visited the Manga Museum in Kyoto, attended drawing workshops, and honed their storytelling skills by creating narrative storyboards based on photos taken in Hiroshima.

Field experiences in Kyoto and Tokyo included visits to the Studio Ghibli Museum, TeamLab Planets, and the Tokyo National Museum. The final project required students to choose a significant historical or cultural event in Japan, create an eight-frame storyboard, and bring one panel to life using their chosen medium.

Esha V.’s final product is a scaled-up version of a Hanafuda card of her own design. This artwork incorporates watercolor, an element she integrated based on her experience with sumi-e. Through practicing sumi-e, Esha learned about opacity and color, skills she then applied to her final product. By iterating on her design and creating multiple drafts before commencing the final piece, she ensured she evaluated numerous ways of presenting her ideas. This thorough process allowed her to ultimately decide on a composition that effectively communicates the story within the frame.

For her final project, Nefertari J. chose a historical and cultural event to explore the meaning of being in Japan: the Atomic Bomb. Creating a storyboard helped her turn complex events into a coherent visual story, enhancing her narrative skills, whilst the module’s workshops and practice improved her artistic abilities. She examined the distinctions between Japanese culture and her own, particularly the Atomic Bomb.

Balancing research, creativity, and technical skills, she thoughtfully selected scenes, showcasing her growth in visual storytelling. The project refined her techniques and allowed her to experiment with traditional art forms.

Driving Question:

How might we understand the relationship between physics and human performance in aerial and aquatic environments?

Module Summary:

The module Over/Under: Air, Water & Physics explored the relationship between physics and human performance in aerial and aquatic environments. Their project involved taking trapeze classes for five weeks, where they learned and practiced various tricks, reflecting on the physics involved in their movements. They focused on understanding forces, pendulums, and the transformation of kinetic and potential energy.

Midway through the term, they participated in a workshop in Cairns, where they learned additional aerial arts and tight roping, and completed a water safety diving course. This course included pool training in breath-holding techniques, streamlining, and basic swimming skills, which they later applied in a lake, encountering real-world aquatic conditions, such as swimming with a crocodile. They also visited the Great Barrier Reef, where they swam with turtles and saw sharks.

The educational components of their module emphasized the physics of trapeze, such as gravitational, centripetal, and air resistance forces, as well as pendulum motion and energy transformation. In diving, they focused on swimming strength, equalizing pressure, rescue techniques, and efficient breathing.

Rianon T.’s final product is a physical scrapbook titled “A Physicist’s Guide to Trapezing and Free Diving!”. This scrapbook serves as an educational and informative overview of the physics involved in trapezing and free diving. Throughout the module, she focused on developing the 21st-century skill of adaptability and managing complexity. This was exemplified through various activities, including trapezing, creating physics experiments, building a car, launching a baking soda rocket, experimenting with pendulums, learning to free dive, and adapting to new challenges constantly.

She found this module particularly engaging and enjoyable, especially the trapezing aspect. The open-ended nature of the summative assessment allowed her to creatively interpret your learning, resulting in a fulfilling and engaging final product.

Driving Question:

How can you use traditional Bosnian carpentry techniques to create innovative product designs?

Module Summary:

The “Carpentry and Innovation” module, tasked students with transforming a plank of wood into an innovative and culturally significant piece over five days. Working closely with local experts in Konjic, the students learned traditional Bosnian carving techniques. They designed and created wooden carvings and objects, using both sketches and 3D models.

Students visited the Zanat factory and a wood carving museum, where they were introduced to different types of wood, carpentry, and woodworking techniques. They also delved into the innovation aspect, learning about the difference between innovation and invention, legal and ethical considerations, and the process of idea protection through patents, trade secrets, and copyrights.

After mastering the basics, the students created their final products in two factory spaces: Elektra, where they worked on sawing, chiseling, and filing their basic shapes, and Zanat, where they refined their shapes, added intricate patterns, and completed their projects with sanding and oiling.

Niko W.’s final product is an oak wooden boat with a unique texture designed to enhance its hydrodynamic performance, akin to the dimples on a golf ball or sharkskin texture. He employed two types of chiseling techniques—flat-headed, curved, and V-shaped—to serve different purposes in crafting the boat. The rip saw, while providing a cleaner cut, required more time compared to the bow saw, which removed more material but left a rougher finish.

Initially using the rip saw for shaping, Niko later switched to the bow saw based on feedback from Alestra staff, prioritizing time efficiency over surface smoothness, as he planned to refine the boat’s sides through subsequent shaping and sanding. To achieve smoother edges and surfaces, he utilized a file initially for its material-removal capability, followed by 80-grit sandpaper to refine the texture further.

Driving Question: How might we use blockchain technology to create future innovative ventures?

What were your goals for this module? How did you achieve them?

At the beginning of this module, I wasn’t quite sure what blockchain was and all I wanted to do was figure it out. By the end of the module, I was able to go beyond just understanding basic blockchain I was able to merge it with something that I enjoyed in my summative product.

What new things did you learn about yourself?

I learned to embody the TGS core value of grit, as I was online because of COVID this term. It really taught me to be patient with myself and to let my curiosity fuel me and challenge me to learn something new. This term was full of a lot of personal growth and I can proudly say I’m not the same as I was in the beginning of the term.

What are your big takeaway lessons from this project?

I think that my biggest lesson is to trust myself. At the beginning of this project, I was scared that I wouldn’t understand anything because I didn’t have a background in tech and coding. I thought I would really struggle, and before I even started the module, I was stressed about it. But I convinced myself to open my mind and be positive and to link it with something I understood.

View their project here: https://viktorial33.wixsite.com/kolmnaist/

Driving Question: How might we use blockchain technology to create future innovative ventures?

What were your goals for this module?

Helena: My biggest goal for the module was having good teamwork with my peers, learning about blockchain, and applying it to something I am really passionate about. Having an impactful final summative that showcases an issue is so important for our community, and I’m proud to see that we achieved all of them together.

Methini: For our module summative, my teammates and I designed a project called Kolmnaist, which means three women. The theme of our project was using blockchain technology to create an NFT collection that empowers women from India, Estonia, and Brazil.

My goal for this module was to understand what blockchain is and how it works because blockchain was a whole new topic for me. When we started learning about blockchain, all I could think about was its negative aspects, like affecting the environment and people. But later on, we explored how we can use blockchain for a positive impact.

Studying the fourth industrial revolution is genuinely a shock on how innovative the world is becoming.

What new things did you learn about yourselves?

Helena: I learned that I am actually very interested in exploring this technology that, at first, I didn’t think I was ever going to connect to.

Methini: I learned to develop my pitching skills and also realized that I’m not too fond of blockchain and its future roles in our day-to-day life.

What are your biggest takeaway lessons from this project?

Helena: I think I learned a lot about adversity and dealing with things going out of plan, but still being able to adapt and make the most out of it.

Methini: My biggest takeaway from this module is to be confident while pitching/presenting, have clear eye contact with the audience, and understand ways to use blockchain positively.

Driving Question: How might we use blockchain technology to create future innovative ventures?

What were your goals for this module? How did you achieve them?

My goal for this module was to develop a solid and applicable understanding of blockchain. Coming in, I knew absolutely nothing about NFTs, cryptocurrency, decentralized finance, or web 3.0. Now, I can say that I have a significant knowledge bank about these emerging technologies. I was able to apply my understanding to create a wireframe and white paper for a decentralized face-to-face loaning platform: Cash $Back.

What new things did you learn about yourself?

Through this module, I learned a lot about the feedback process. I had multiple ideas for my module summative that I was really excited about. However, when I brought them up with guest speakers and module leads, they got picked apart and heavily criticized. I realized that I didn’t know quite as much as I thought about blockchain, and as such was able to begin seeing this feedback not as something to fear, but something to learn from. By the end of the module, I hoped for critical feedback on my work, as I knew that that is what would help me the most.

What are your big takeaway lessons from this project?

From this module, I took away a really good understanding of a technology that could be very relevant to all of us in the future. I found a passion for design – spending hours on end choosing color palettes, font combinations and arranging features for my wireframe. I came to new realizations about how educational access and wealth inequality can hinder or aid the adoption of new technologies – an insight into the privilege I have to do so. Finally, I came up with an idea that, if developed properly, could lead me to a path of dApp development and entrepreneurship. Blockchain is now a huge passion of mine.