Driving Question:

How can I promote global awareness in New Zealand youth through teaching primary school students about different countries and cultures around the world?

Product output from this module:

A collection of classes I have taught and lesson plans inspired by the classes I teach and the different countries. 

Module Summary:

Rianon, from New Zealand, undertook a service learning project called “Beyond NZ” to address the lack of global awareness among New Zealand primary school students. Geographic isolation has made New Zealand a peaceful country but has also limited its interaction with the rest of the world. Rianon observed that New Zealand’s education, especially at the primary level, is heavily focused on local content, leading to cultural insensitivity, limited problem-solving skills, and ineffective communication.

To tackle this issue, Rianon reconnected with her old primary school, where her former teacher became her external mentor. She observed his teaching methods and then taught classes herself. Her goal was to inspire interest in global awareness through engaging and fun lessons about different countries. Rianon taught six classes with three different teachers, totaling eight hours of teaching time. The students, aged 8 to 9, were taught about Botswana, South Korea, and India.

For Botswana, Rianon shared personal stories from her travels and had the students create informational posters. The South Korea lesson included fun facts and cultural traditions, and the students planned their own trips. The India lesson focused on cultural diversity and celebrations, ending with a competitive quiz.

Rianon used visual communication and collaborative activities to keep the students engaged. Although she acknowledges that the project didn’t change the primary school education system, it successfully made the world seem a little closer for these children in Devonport, New Zealand.

Driving Question:

How does Japan’s culture perceive the concept of “existence”?

Project Summary:

Koko K., a Grade 10 student at TGs from Japan and Singapore, undertook a personal project titled “Between Nothing and Being.” This project explored Noh, a traditional Japanese theater form dating back to the 14th century. Through her research, Koko discovered that Noh theater requires an actor to possess inner solitude and concentration, allowing them to transcend their body and achieve a unique state of presence and groundedness.

Her project delved into the Japanese cultural concept of existence, using Noh and the pine tree (matsunoi), a symbol of eternity and longevity, as central themes. She examined how Shinto, which emphasizes the worship of nature and inanimate objects, and Buddhism, which focuses on change and impermanence, shape Japanese views on existence.

Koko engaged with multicultural literacy through this project, rediscovering and appreciating her Japanese culture. Her research included analyzing and reflecting on books about Shinto and Buddhism, attending Noh lessons with Kinue Ooshima Sensei, and studying Noh routines. She also compared Japanese concepts of existence with Western philosophical ideas from thinkers such as Victor Frankl, Sigmund Freud, Friedrich Nietzsche, and Aristotle.

Koko concluded that Japanese culture perceives existence as a balance between Shinto’s eternity and Buddhism’s impermanence. In Japan, the worship of kami (gods) in nature symbolizes eternity, while the frequent natural disasters and seasonal changes emphasize the impermanence of life. This cultural balance is reflected in the construction of buildings like shrines, which are designed to be periodically destroyed and rebuilt.

In her final summative product, Koko aimed to manifest this concept of existence by performing the Noh routine “Yuya,” striving to achieve neutrality in her physicality and mentality. She reflected on her learning process, acknowledging the need for better time management and a more chronological approach to her research.

Overall, the project deepened Koko’s understanding of Japanese customs, values, and beliefs, helping her to embrace her Japanese identity with confidence.

Driving Question:

How can AI be applied in investigative, opinion, and solutions-based journalism in the context of digital communities in Bosnia?

Module Summary:

The “AI Journalism” module explored the intersection of artificial intelligence and journalism. The module aimed to understand the capabilities and limitations of AI in news writing and its impact on current events.

Students investigated the origins and evolution of journalism in their home countries and Bosnia, comparing human-written articles to AI-generated content. They examined various types of journalism—investigative, solution-based, and opinion—and learned how AI can be ethically and legally integrated into these fields.

The module included excursions to notable sites like the Al Jazeera Balkans, the National Museum of Bosnia and Herzegovina, and the Sarajevo Film Festival. Guest speakers provided insights into wartime reporting and modern journalism challenges, emphasizing the irreplaceable human element in storytelling.

Through practical experiences and reflections, students created their own articles, juxtaposing them with AI-generated pieces to discern the unique human touch in journalism.

For instance, senior student Santi D. created an article titled ‘Unraveling the Web of Deceit: Serbian Media’s Role in Spreading Fake News During the Yugoslav Wars,’ which examines the impact of misinformation during the 1990s conflicts in the Balkans. The article outlines how the Serbian media played a crucial role in shaping public perception and exacerbating ethnic tensions through the dissemination of fake news and propaganda.

Driving Question:

In what ways can the art of storytelling be adapted to communicate across disciplines and for different purposes?

Project Summary:

Rianon T., a grade 11 student from New Zealand, embarked on a journey of storytelling and cultural immersion during her time in Botswana. Inspired by the diverse voices and experiences of the local storytellers she met—ranging from published authors to musicians and safari rangers—Rianon was tasked with creating her own story based on her encounters and observations. This experience profoundly shaped her understanding of the importance of listening to elders, the beauty of nature and wildlife, and the timeless lessons imparted through children’s stories.

The core of Rianon’s story focused on a young girl named Impo, who learns the vital lesson of listening to her elders as she navigates the Okavango Delta. Through encounters with various animals, including a hippo and a crocodile, Impo learns not only about the unique characteristics of each creature but also gains wisdom about the consequences of not heeding advice. Each encounter in her story serves as a metaphor for the deeper cultural and moral lessons imparted by the elders in Botswana.

During her presentation, Rianon shared a snippet from her story, where Impo encounters a hippo while crossing a river. This scene beautifully illustrates the importance of paying attention and listening, as Impo attempts to identify a zebra based on her limited knowledge, only to learn from the hippo that listening to one’s elders is crucial for survival and understanding. The encounter with the hippo also emphasizes the gentle and wise nature of the elder animals, who impart their wisdom to the younger generations.

Rianon’s story resonates not only with the audience but also with her own personal growth and understanding of the world around her. It showcases how stories can transcend cultural boundaries and impart timeless lessons that resonate with people of all ages. Through her storytelling, Rianon not only honors the traditions and wisdom of the people she met in Botswana but also carries forward their teachings to inspire others to listen, learn, and grow.

Driving Question:

How can I use my personal life experiences to write and illustrate a children’s book that explores the topics of race, culture and identity?

Project Summary:

Samara M., one of our senior students, shared a deeply personal project inspired by her multicultural background, having lived in Kenya, China, Malaysia, and Tanzania. Despite loving books like “Alexander and the Terrible, Horrible, No Good, Very Bad Day” and “The Gruffalo,” she felt a lack of stories that reflected her unique experiences.

Identifying as a third culture kid, Samara highlighted the challenges and feelings of isolation that come with this identity. To bridge this gap, she created a children’s story that resonates with the third culture experience and beyond.

Samara conducted research across schools in Kenya and Tanzania, revealing a significant underrepresentation of black characters in children’s books. Motivated by these findings and Susan Sontag’s belief that stories shape our world, Samara wrote “The Little Frog’s Dilemma,” a tale set in a pond divided into four regions, each with distinct skills.

The protagonist, a frog with parents from different regions, embodies a blend of these cultures but struggles to excel in any single skill. Despite initial failures in dancing and magic, the frog’s unique croak, a metaphor for its mixed identity, ultimately earns it the honor of performing for the queen.

Through this story, Samara aims to reflect diverse experiences and foster connection. She encourages everyone to embrace and share their personal narratives, believing they have the power to ignite empathy and break down barriers.

Samara’s hope is that “The Little Frog’s Dilemma” will resonate with readers and become a cherished story, inspiring others to create bridges through their own unique tales.

Driving Question:

How might I promote gender equality to a young population using traditional African tales?

Project Summary:

Yeli K, a senior from the United States, has written a children’s book titled “The Farafina Tales” aimed at promoting gender equality in West Africa. The book addresses critical issues such as child marriage, female genital mutilation, and violence against women, which are prevalent in countries like Senegal, Guinea, and Liberia. Through interviews with experts across the continent, Yeli K identified factors contributing to these issues, including lack of legislation, ineffective law enforcement, negative cultural perceptions of women, and lack of economic opportunities.

Inspired by a study showing how children’s literature can shift gender perspectives in Rwanda, Yeli K sought to promote gender equality among young West Africans through literature. This led to the creation of a 30,000-word novel manuscript for 8 to 12-year-olds, which won a Scholastic Gold Key for the New York region and a National Silver Medal in the Scholastic Art and Writing competition.

The story follows a 13-year-old girl named Mariama, who, with the help of a secret society of African heroes, saves her school from developers aiming to turn it into a mall. To write this book, Yeli K undertook a 150-hour course on writing for children, receiving a distinction. This was followed by detailed world-building and character development, guided by feedback from mental health and gender-based violence experts, children’s book authors, mentors, and the target audience of children.

Yeli K wrote 1,000 words daily during November, utilizing National Novel Writing Month resources and community support. After completing the initial drafts, the book was distributed to eight children aged 8 to 12 in Lagos, Nigeria, for critical feedback, which was incorporated into the final draft.

Through this project, Yeli K aims to inspire young people globally to use art to ignite profound social changes, demonstrating the power of literature in addressing pervasive societal issues.

Driving Question:

How can I plan and give a tour of “The Other Side of the Bay” (South Mumbai)?

Project Summary:

Yosef M. from Mexico, inspired by his classmates’ interest in exploring southern Mumbai, organized a guided tour for his first personal project. This tour provided a small group of four or five people with the opportunity to experience and learn about various aspects of the city.

To ensure the tour’s success, Yosef undertook extensive research and planning. He investigated how to effectively organize a tour, set criteria for selecting the best locations, and devised a budget. Additionally, he prepared himself to speak publicly about the sites they would visit, ensuring that he could provide informative and engaging commentary.

The tour was divided into several thematic sections. The first section focused on history and culture, with visits to significant landmarks such as the Gateway of India, Flora Fountain, Davidson Library, and Bombay Court. These locations offered insights into Mumbai’s rich historical heritage. The second section explored art and architecture, taking the group to various art museums, a highly expensive private residence, and areas showcasing vibrant street art. This part of the tour highlighted Mumbai’s diverse artistic and architectural landscape.

In the third section, Yosef aimed to provide an understanding of the city’s transportation system. The group experienced different modes of transport, including the metro, auto-rickshaws (tuktuks), taxis, and public buses. This segment emphasized the sustainability and efficiency of Mumbai’s transport network. The fourth section focused on entertainment and hospitality, featuring visits to the Taj Hotel, Phoenix Palladium Mall, and the successful Chayos chain. This part of the tour showcased prominent hospitality and entertainment venues in the city.

The fifth section highlighted Mumbai’s religious diversity by including visits to a mosque, a synagogue, a Buddhist temple, and the Marathbas temple. This segment underscored the city’s multicultural and multi-religious fabric. The final section examined urban planning and infrastructure, with stops at the Worli Sea Link, Marine Drive (Queen’s Necklace), and the ongoing Mumbai Coastal Road Project. These locations illustrated the city’s architectural landmarks and ongoing efforts to improve urban mobility and infrastructure.

Despite some logistical challenges, such as last-minute changes in attendees, the tour was a success. Yosef’s enthusiasm and thorough preparation ensured a rewarding experience for the participants. Following the initial project’s success, Yosef continued to organize tours, expanding to additional sites like Mahatma Gandhi National Park, various temples, restaurants, and churches. This ongoing initiative demonstrated Yosef’s commitment to fostering curiosity and exploration, significantly extending the project’s impact beyond its original scope.

View their project here: https://viktorial33.wixsite.com/kolmnaist/

Driving Question: How might we use blockchain technology to create future innovative ventures?

What were your goals for this module?

Helena: My biggest goal for the module was having good teamwork with my peers, learning about blockchain, and applying it to something I am really passionate about. Having an impactful final summative that showcases an issue is so important for our community, and I’m proud to see that we achieved all of them together.

Methini: For our module summative, my teammates and I designed a project called Kolmnaist, which means three women. The theme of our project was using blockchain technology to create an NFT collection that empowers women from India, Estonia, and Brazil.

My goal for this module was to understand what blockchain is and how it works because blockchain was a whole new topic for me. When we started learning about blockchain, all I could think about was its negative aspects, like affecting the environment and people. But later on, we explored how we can use blockchain for a positive impact.

Studying the fourth industrial revolution is genuinely a shock on how innovative the world is becoming.

What new things did you learn about yourselves?

Helena: I learned that I am actually very interested in exploring this technology that, at first, I didn’t think I was ever going to connect to.

Methini: I learned to develop my pitching skills and also realized that I’m not too fond of blockchain and its future roles in our day-to-day life.

What are your biggest takeaway lessons from this project?

Helena: I think I learned a lot about adversity and dealing with things going out of plan, but still being able to adapt and make the most out of it.

Methini: My biggest takeaway from this module is to be confident while pitching/presenting, have clear eye contact with the audience, and understand ways to use blockchain positively.

Driving Question: How can we improve our spice tolerance through a mixture of science and cultural understanding?

Project Summary: This project was a dive into the science and Mexican cuisine and culture. Saffron and Santiago researched many different kinds of chili peppers before deciding on five local peppers that they and a group of volunteers would be eating to increase their spice tolerance: costeño, pasilla, jalapeño, chiltepín, and habanero. The pair recorded themselves doing so to share their findings.

Student Reflection: “Working on this project was painful, but it was so fun and totally worth it. I learned that eating spicy food can make you feel like you’re being stabbed and yet fill you with a rush of adrenaline, and to be able to share that feeling is simply amazing.” – Class of 2024 student Santiago D.

Driving Question: How can we represent the evolution of leftist movements in Mexico through a zine?

Project Summary: Ella and Luiza’s project is about the evolution of leftism in Mexico, especially in the region of Oaxaca. They explored the Mexican Revolution, the Feminist Movement in Mexico, and the future of Indigenous leadership throughout the term, which cumulated in a final zine showcasing their learning.

Student Reflection:
“I loved this project. Truly, I cannot describe how proud I am of this Zine and the work Luiza and I accomplished. Also, there is no way to describe the joy and relaxation of sitting cutting out magazines for hours on end; it is the best thing ever.”- Ella M.