Driving Question: How can I engineer the strongest bridge with the most efficient use of the specified material?

Module Overview: Bridges are perhaps the most challenging and fascinating feats of engineering. 

In this module, students became civil and structural engineers by working at the Manchego Fromage Consultancy, where they were responsible for coming up with the most efficient bridge design. 

Students strived to creatively meet their imaginary client’s needs within budget and material constraints. The clients were the City of Rodentia, working in partnership with the Rodent Migration Travel Group. 

In learning about bridge types, students explored the effect of tension and compressive forces, differentiated between brittle and ductile material properties, and investigated the calculations that go into designing bridges. 

Marily M.

I enjoyed the module so much. I love creating and building things, so I had lots of fun building some testing bridges and the final one. I faced some challenges I didn’t think would happen, but I found a way to deal with them.

For this module, we designed and built a spaghetti bridge basing ourselves on our client’s needs from the “City of Rodentia”. I learned about bridge types, the effect of tension and compression, and the calculations that need to be considered to design a bridge. This knowledge helped me design a strong and effective bridge.

My final product is an Open Tender, which is the proposal for our “clients.” It includes the price, design, 2D and 3D model, calculations, and other information pieces.

Diego M.

I learned how much I like to design things and make them physically. It was enjoyable and challenging to build a bridge with pasta because you need to consider many factors and develop techniques to build the strongest bridge.

This project allowed me to learn about the different types of bridges and the engineering process and what it includes (different studies from the area, forces of members, strength to weight ratio, etc.)

Based on our investigations, we had to experiment with building pasta trusses to see what works, what doesn’t work, and which type of bridge truss was stronger than the others.

We created and proposed an open tender to the fictitious Rodent Migration Travel Group after running our experiments.

Driving Question: How might we produce a product or concept that contributes to a more sustainable fashion future?

Final Product: My summative product for this module was a textile art rug bag that visually incorporated ideas of punk and queer fashion. The bag itself is sort of a tote bag style and on each side there is a different design that I hand punched. For the “punk” side of the bag I designed a traditionally punk aesthetic image of an eye, a large X in front of it, and the words “F**k off”. When designing this, I wanted to keep in mind the traditional punk look as well as the values of being anti-capitalist, anti-oppression, and just generally living outside of the traditional social norms. For the other side of the bag, I wanted to express more ideas of the queer self and experience with a rainbow design around a stick figure body. My aim was for it to be colorful and expressive, just like the queercore fashion movements that intersected with the punk subculture. 

What were your goals for this module? How did you achieve them?

I wanted to have fun creating my own unique textile art piece that incorporated different subculture fashions I was interested in exploring. I also wanted to grow in my creativity and continue to make new pieces as an artist. I got to learn a lot more about the history of punk fashion and the queer community’s influence on it. I’m really happy with my final product because I think it’s a very unique piece that not only visually represents the aesthetics of this movement, but because I also made it myself, it embodies the values of the punk and queercore movements as well. 

What did you learn about yourself or about your creative process or about your medium?

I’m pretty new to making rugs, but I’ve absolutely fallen in love with the art form. Making this rug bag was a bit of a risk, but I’m really proud of how it turned out. I like taking creative risks and having fun with my art. In the future, I hope to continue to have fun and practice creativity with any art project I do. 

Driving Question: How can I use creative art practices to engage in discourse and dialogue on counterculture, social justice or everyday life through zines?

Project Description:

In this module I made a zine (book) about the life of Rupert Murdoch, why he does what he does, and how his influence works.

Quote:

I learned that with a little bit of inspiration and a non-judgemental audience, art becomes a lot easier.

Driving Question: How might we produce a product or concept that contributes to a more sustainable fashion future?

What were your goals for this module? How did you achieve them?

Across Africa, traditional prints are integral to feelings of belonging to a group, defining identities, and showing who you are. For generations, cultures around the continent have traditionally made textiles. Using my brand, I hope to show homage to these cultures and disseminate the stories behind their textiles while also using fashion as a catalyst for change to encourage more women to engage in more physical fitness.

For this project, I designed two collections for my activewear brand, Jarabi Fitness, paying homage to traditional African textiles and celebrating African culture and heritage. The designs included West Africa Kente prints and Dashiki prints. Using my platform, I also created blog posts detailing the cultural significance of the prints.

What did you learn about yourself or about your creative process or about your medium?

I learned that my creative process tends to veer towards putting hours of work in on one day when I feel motivated, as opposed to stretching my work out over time. Once I feel a jolt of motivation, I’m able to get a lot of things done.

Driving Question: How might we produce a product or concept that contributes to a more sustainable fashion future?

What were your goals for this module? How did you achieve them?

I made a magazine-like platform that showcases my process through creating the sketches, from my research on sustainable fabrics, why I chose the points from the fashion manifesto and finally each design allocated to the material they are made from. One of my main focuses for the module was to make sure that people embraced using sustainable materials in their designs and creations. I also wanted to include the theme of simplicity, not that trendy.

I guess I could say I was able to learn new art skills like making art sketches and a bit of digital art. I think I have a good understanding of what sustainable materials are best for the fashion industry, which makes sense, because combining sustainability into my designs was my main focus for the summative assessment.

What did you learn about yourself or about your creative process or about your medium?

I got to learn how to work with digital designing through Illustrator and Photoshop. However, it’s still a growing skill for me so I wasn’t able to showcase it for my final product, but I hope to continue improving on it. Making digital art made me realize that there is more to just drawing and painting-basically all the physical work-that can also be expressed in computers which is cool!

I also learned that it’s helpful to look at others’ work for guidance.