Driving Question: How can I de-stigmatize mental illness through information and awareness?

Project Description: For her service-learning project, Class of 2022 Senior Noemie created lessons around understanding the fundamentals of mental health.

These include understanding what mental health is, what factors can affect mental health, understanding mental illness, keeping yourself and others safe, and how and where to reach out or find help. Noemie then presented these seminars to students at TGS due to being unable to complete the seminars at home due to Covid.

Project Reflection:
I learned so much from this experience, and I am so grateful that I got the opportunity to complete this project and hopefully help at some people understand this topic better. This project was very important to me as, growing up in NZ, I have had so many experiences seeing the effects of poor mental health on peers and people within my community, so it meant so much to be able to be part of the road to a better future around this topic.

Driving Question: How can I organize a trash clean up event in my community to positively impact the environment?

Project Overview:

I’ve seen the forest back at home gone through all types of natural and unnatural transformations. Every time I visit, there is a trail of evidence that demonstrates the presence of humans. I think it is extremely important to address the relevance and impact of maintaining these spaces clean. Especially when it comes to a natural reserve that is filled with flora and fauna. My project, Por un Lago Azul, is the beginning of a Trash Clean Up campaign in my community that aims to provide spaces and tools to facilitate reflection. I wanted to organize a clean up event that had a meaningful value for the community that could also meet academic needs.

Driving Question: How can we teach the concepts of branding, marketing, and project management to build a fashion brand?

Project Overview: We developed this service project to help local Panamanian fashion entrepreneurs Maale & Lorena build their streetwear brand, Sure. We did so by designing a website, graphics, and by offering business strategy through regular phone calls. We found the work to be more rewarding than initially expected. In this process, we not only discovered a passion for graphic design but also became passionate about the future of the project. Are You Sure refers to the branding we came up with in conjunction with the two young women.

During the fifth week, right before heading to WeXplore in Venao, Principal Russell Cailey asked for volunteers to help two of the girls at Hairarchy build a business website for a fashion brand. There we realized they were missing other important elements of their business so we decided to help.

As to who they are exactly, Maale and Lore are two Colombian girls that moved to Panama and began working in Hairarchy Casco. Lore is a bartender at La Bárbara, the speakeasy that operates at the back of the salon and Maale is the receptionist for the salon. They are both passionate, creative, and entrepreneurial people that love to use art to communicate with the world around them and they both love music!

It was also great to have our hard work recognized by two of the other members of their team, Ryan and Dave. One thing led to another, and Levith and I got offered a part in the brand if we continued with the project. The service project has become a passion project, and we very eager to see its development in the future.

Driving Question: What is a meaningful community project that I can provide to meet the needs of my local community?

Project Description: In collaboration with a Belgian, a Kosovar and a Macedonian NGO, my friends and I turned an abandoned building into a socio-cultural space. We transformed a potential threat for a neighborhood and a city at large into an opportunity for personal and community development. This project aims to reinforce existing local initiatives of young people and to guide that sense of initiative into concrete results.

The building was transformed in a matter of two weeks, and although there are still quite a few basic necessities missing, we’ve been able to start projects, keep it open during warm days, and organize events. The center is located in the suburbs of Tirana, which is not ideal as it is far away from the center, however it really provides insight into the aim of this space as it directly faces the reality of a marginalized community.

Uzina is a socio-cultural space with the aim of empowering the local community to transform ideas into action. We hope to bring about a Decentralized Renaissance in art, the politics of life, and culture. The goal of Uzina is to cultivate and encourage empathy, compassion, altruism and prosocial engagement. We continuously work (and play) to promote love for people, nature, culture and learning.

What were your goals for this project? We wanted to bring to life an old industrial building and build a connection amongst different organizations/groups of people who share a common goal.

By bringing together a diverse group of young people from different countries, and by working together to build this new space, we wanted to create an educational and social dynamic. Through collaborative project management, the participants gained and shared skills, deepened their understanding of other cultures, and felt part of a bigger whole.
By practicing collective group processes, participants had the opportunity to express themselves, and to experiment with ways of decision-making and executing them in joint cooperation.

What are you most proud of? I am proud to have persisted through unimaginable challenges while managing to adapt the project to different circumstances without changing the primary purpose.

The project was initially going to take place as a community program in a socio-cultural center, but then there was a risk of the social-center being shut down. I decided to transform the program into an after-school module that would take place in a classroom setting. COVID-19 occurred, which meant the module couldn’t be implemented during that timespan. And that led to the creation of a creativity module handbook, which can be used to design and facilitate an after-school creativity module for students 10-12 years old.