Driving Question:

How might I promote gender equality to a young population using traditional African tales?

Project Summary:

Yeli K, a senior from the United States, has written a children’s book titled “The Farafina Tales” aimed at promoting gender equality in West Africa. The book addresses critical issues such as child marriage, female genital mutilation, and violence against women, which are prevalent in countries like Senegal, Guinea, and Liberia. Through interviews with experts across the continent, Yeli K identified factors contributing to these issues, including lack of legislation, ineffective law enforcement, negative cultural perceptions of women, and lack of economic opportunities.

Inspired by a study showing how children’s literature can shift gender perspectives in Rwanda, Yeli K sought to promote gender equality among young West Africans through literature. This led to the creation of a 30,000-word novel manuscript for 8 to 12-year-olds, which won a Scholastic Gold Key for the New York region and a National Silver Medal in the Scholastic Art and Writing competition.

The story follows a 13-year-old girl named Mariama, who, with the help of a secret society of African heroes, saves her school from developers aiming to turn it into a mall. To write this book, Yeli K undertook a 150-hour course on writing for children, receiving a distinction. This was followed by detailed world-building and character development, guided by feedback from mental health and gender-based violence experts, children’s book authors, mentors, and the target audience of children.

Yeli K wrote 1,000 words daily during November, utilizing National Novel Writing Month resources and community support. After completing the initial drafts, the book was distributed to eight children aged 8 to 12 in Lagos, Nigeria, for critical feedback, which was incorporated into the final draft.

Through this project, Yeli K aims to inspire young people globally to use art to ignite profound social changes, demonstrating the power of literature in addressing pervasive societal issues.

Driving Question:

How can I plan and give a tour of “The Other Side of the Bay” (South Mumbai)?

Project Summary:

Yosef M. from Mexico, inspired by his classmates’ interest in exploring southern Mumbai, organized a guided tour for his first personal project. This tour provided a small group of four or five people with the opportunity to experience and learn about various aspects of the city.

To ensure the tour’s success, Yosef undertook extensive research and planning. He investigated how to effectively organize a tour, set criteria for selecting the best locations, and devised a budget. Additionally, he prepared himself to speak publicly about the sites they would visit, ensuring that he could provide informative and engaging commentary.

The tour was divided into several thematic sections. The first section focused on history and culture, with visits to significant landmarks such as the Gateway of India, Flora Fountain, Davidson Library, and Bombay Court. These locations offered insights into Mumbai’s rich historical heritage. The second section explored art and architecture, taking the group to various art museums, a highly expensive private residence, and areas showcasing vibrant street art. This part of the tour highlighted Mumbai’s diverse artistic and architectural landscape.

In the third section, Yosef aimed to provide an understanding of the city’s transportation system. The group experienced different modes of transport, including the metro, auto-rickshaws (tuktuks), taxis, and public buses. This segment emphasized the sustainability and efficiency of Mumbai’s transport network. The fourth section focused on entertainment and hospitality, featuring visits to the Taj Hotel, Phoenix Palladium Mall, and the successful Chayos chain. This part of the tour showcased prominent hospitality and entertainment venues in the city.

The fifth section highlighted Mumbai’s religious diversity by including visits to a mosque, a synagogue, a Buddhist temple, and the Marathbas temple. This segment underscored the city’s multicultural and multi-religious fabric. The final section examined urban planning and infrastructure, with stops at the Worli Sea Link, Marine Drive (Queen’s Necklace), and the ongoing Mumbai Coastal Road Project. These locations illustrated the city’s architectural landmarks and ongoing efforts to improve urban mobility and infrastructure.

Despite some logistical challenges, such as last-minute changes in attendees, the tour was a success. Yosef’s enthusiasm and thorough preparation ensured a rewarding experience for the participants. Following the initial project’s success, Yosef continued to organize tours, expanding to additional sites like Mahatma Gandhi National Park, various temples, restaurants, and churches. This ongoing initiative demonstrated Yosef’s commitment to fostering curiosity and exploration, significantly extending the project’s impact beyond its original scope.

Driving Question: How can I de-stigmatize mental illness through information and awareness?

Project Description: For her service-learning project, Class of 2022 Senior Noemie created lessons around understanding the fundamentals of mental health.

These include understanding what mental health is, what factors can affect mental health, understanding mental illness, keeping yourself and others safe, and how and where to reach out or find help. Noemie then presented these seminars to students at TGS due to being unable to complete the seminars at home due to Covid.

Project Reflection:
I learned so much from this experience, and I am so grateful that I got the opportunity to complete this project and hopefully help at some people understand this topic better. This project was very important to me as, growing up in NZ, I have had so many experiences seeing the effects of poor mental health on peers and people within my community, so it meant so much to be able to be part of the road to a better future around this topic.

Driving Question: How can we represent the evolution of leftist movements in Mexico through a zine?

Project Summary: Ella and Luiza’s project is about the evolution of leftism in Mexico, especially in the region of Oaxaca. They explored the Mexican Revolution, the Feminist Movement in Mexico, and the future of Indigenous leadership throughout the term, which cumulated in a final zine showcasing their learning.

Student Reflection:
“I loved this project. Truly, I cannot describe how proud I am of this Zine and the work Luiza and I accomplished. Also, there is no way to describe the joy and relaxation of sitting cutting out magazines for hours on end; it is the best thing ever.”- Ella M.

Driving Question: How can I create a photo album capturing the true essence of street art in Oaxaca City?

Project Summary: Raf’s personal project is about photography and photo editing. His project aimed to capture the essence of street art in Oaxaca. Due to the fact that Oaxaca has an abundance of incredible street art, Raf felt it was of high importance to capture this beauty using photography and exemplify it using Photoshop. You can see the pictures Raf has taken and edited below, which hopefully provide a sense of Oaxaca’s beauty.

Student Reflection: This project gave me the time to just pause amongst all the craziness in a term. When taking photos, I felt relaxed, and that I was really appreciating Oaxaca for what it was. I learned that if we don’t pay attention to the small details of a given environment, we might miss its beauty.

Driving Question: How can we model a clay sculpture inspired by Mexican beliefs and religious syncretism (the merging of different beliefs) to represent a fusion of our personal beliefs and values?

Project Summary: Bido calls his sculpture “Al Khail,” which means horse in Arabic. It is intended to show a fusion of his values and beliefs. The wings are a symbol of freedom, ambition, and a representation of spirituality. Al Khail is inspired mainly by nature.

Bido’s belief in “Kama Tudeen Tudan,” meaning “Good Karma,” is represented by the birds on the top of the horse and inspired by the Old Man’s Beard plant grown in Oaxaca’s cloud forest.

Both the plant and the tree live together and are kind to each other as part of the mutualistic symbiosis relationship. Similarly, the horse was kind enough to let the birds live on top of him; it turns out the birds feed on the little creatures on the horse’s body, creating a mutually beneficial relationship that started with an act of kindness.

Student Reflection:
“I had a limiting belief before starting this module that I’m not very artistic — the first time I experimented with clay I found it very difficult; however, I dedicated time to experimenting with different techniques and used digital art and 3D modeling to help create my sculpture. I learned that just by accepting something and working hard for it, we can really achieve more than we expect.”

Driving Question: How can we model a clay sculpture inspired by Mexican beliefs and religious syncretism (the merging of different beliefs) to represent a fusion of our personal beliefs and values?

Project Summary: Life is seen as a transitory stage towards something greater for many belief systems. “El Camino” – meaning “The Path” – represents a merger between the Zapotec and Catholic belief systems in Oaxaca, and the most important one in the construction of Lucas’s faith, Buddhism.

The upper part of Lucas’s sculpture symbolizes the Zapotec’s way towards Mictlan, a place of eternal peace, which consists of a nine-level journey that takes four years to complete. The cross on the opposite end is an element of the Christian faith that embraces the challenges that ultimately become our passports to sanctification. In the middle, they meet to become one, referencing both the syncretism in Oaxaca and the end of duality – a Buddhist concept of spiritual enlightenment.

Student Reflection:
“Over my weeks in Mexico, I could explore in-depth the values of the belief systems that gave birth to Oaxaca’s unique syncretic landscape. As I appreciated the elements of these highly different cultures, I was able to see a multitude of symbols that resembled my own faith everywhere. The final sculpture I constructed is an embracement of both my learnings and some of my most foundational beliefs about life and the universe.”

Driving Question: How can we model a clay sculpture inspired by Mexican beliefs and religious syncretism (the merging of different beliefs) to represent a fusion of our personal beliefs and values?

Project Summary: For her project, Minahil created a sculpture of Qandeel-e-Zeist (Light of Life), which embodies the values and beliefs that guide and enlighten her life.

Minahil’s project blends Zapotec symbolism, the Chinese Yin and Yang, Quranic verses, Urdu poetry, and personal emblems that convey how different cultures, people, and places have shaped the person Minahil is today.

The treasure chest represents her beliefs and values and highlights how the elements in her sculpture are invaluable to her. Leaving the treasure chest open expresses the importance of being open-minded. It further indicates how her values and beliefs are changing.

Student Reflection: “Everyone in the world has a set of values and beliefs that guide and enlighten their lives. Through this module, I learned about my own values and beliefs in-depth, developed a greater understanding and appreciation of the personal values of indigenous cultures in Oaxaca, especially the Zapotecs.”

Driving Question: How can I preserve a part of Zapotec history and give it a new life in the form of VR experiences?

Project Summary:

Aarushi and Alex’s video focused on the Central Valley of Oaxaca and the civilization that emerged known as the “Be’ena’ Za” or “The Cloud People.” The Be’ena’ Za thrived and became one of the largest civilizations in Mesoamerica, and today they are known as the Zapotec.

Alex and Aarushi introduce viewers to the world of the Zapotec through a VR experience. Their video takes you back in time on a journey into the magnificent city of Monte Albán. The pair invite you to embrace the wisdom of the Zapotec through astrology, religious, and ancient beliefs.

Student Reflection: This module was really exciting for me. I learned a lot of new things and added multiple new subjects to my skill set. This module was also extremely challenging since I had no real prior knowledge about virtual reality or archaeology, but because of our excursions and guest speakers, I was able to create a video VR experience which I am extremely proud of!”- Aarushi A.

Driving Question: How can I use video to present my investigations (SPEED factors) into the lives of the Zapotec people of Oaxaca, Mexico?

Project Summary: In this project, Zoya looked at the lives of the Zapotec community in Oaxaca, and how their lives are impacted by their exposure to Spanish. Her film explores the different aspects of Spanish language exposure (in education, economy, and stigma) and what it meant for the Zapotec people, with a question left to the audience: What does the future look like for the Zapotec?