January 27, 2022 by Kiana B., Camille A., Kirsten A.
Driving Question: How might we convey the intersection of local arts and economy through documentary filmmaking?
What were your goals for this module? How did you achieve them?
To inform others about local artists in Oaxaca relating to art and the economy.
What new things did you learn about yourself?
Throughout this module, we learned multiple different things: From how art and economy in Oaxaca are changing to learning how to edit and film our very own documentary. This module also tested our limits, as it was very demanding no matter how interesting, and we can say that we are very proud of our final result.
What are your big takeaway lessons from this project?
Our biggest takeaway is how the art industry has evolved here and how that impacts the artists here in Oaxaca, and how there is more openness to expressing oneself through art.
One of my favorite sessions was right after our wexplore, visiting Tierra del Sol. It was unbelievable. The place was fantastic and so heart-warming. Everything was so thought out and showed an impressively accurate representation of what a community space should look like. I spent such a great time there and hope to go again. I learned more than I could’ve imagined.
-Class of 2023 Student Mila F.
Driving Question: How might we use our understanding of architecture through time to design a context-informed structure?
Our group designed what we believe is a modern take on a traditional Oaxacan house and gastronomical hub which showcases the Oaxaca’s rich food and drink diversity.
What new things did you learn about yourself?
We learned about the impact of colonialism on Mexican architecture through our experience through seeing the use of traditional European elements that incorporate Mexican structures.
What are your big takeaway lessons from this project?
Our biggest takeaway was the process of the environmental impact analysis as I feel like the process of environmental impact analysis will be very important in any project I want to do that involves construction thinking about input and output I am putting in the environment.
Driving Question: How can I utilize my knowledge of Mayan mythology to create an original piece of Mayan artwork?
Project Description: For this personal project, Noemie set out to demonstrate creativity by creating an art piece inspired by Mayan culture. The piece was based on experiential research Noemie performed during her time in Tulum, Mexico.
Driving Question: How do shutter speed, aperture, and editing affects the final product in portrait photography?
Project Description: This project was about learning how to apply aperture, shutter speed, and editing to the pictures, finding creative backgrounds, and improving my photography skills mainly in portraits.
Student Reflection:
“Mainly, during this project I found how big my passion is for photography. I hadn’t realized how big it was and how much knowledge I was missing. What was challenging was the editing because figuring it out took me a while. It was very exciting to go out and take pictures for the first time with the proper knowledge, but mainly, having the chance to show people my work.”
Driving Question: How can I use the logic of building up a garment using the right techniques to build up a dress from scratch?
Module Overview: For this project, my goal was to create a summer dress that meets my goals and purpose. My goal was to do a dress that is trendy, comfortable, and that suits me well. I did all the process from making the pattern, cutting the fabric, sewing it, assembling it, and adjusting it to fit me best. I didn’t know anything about sewing, so I had to learn the basics to then sew my dress. The final product is a photoshoot of the dress showing it from different angles.
Project Reflection: “This project was challenging and exciting at the same time. I knew nothing about sewing, so I had to learn everything from the basics. The dress that I wanted to do was so complex that I would get frustrated at some points and didn’t know how to continue. After tons of work, I am proud and surprised by the final product; I wasn’t expecting to do such a pretty dress with so little experience.”
Driving Question: How can I learn about music theory and teach others by analyzing Beethoven’s Moonlight Sonata?
Module Overview: For this project, Diego learned about music theory by researching chords, scales, and sheet music elements like clefs, staff, accidentals, and dynamic markings. Diego then analyzed and played Beethoven’s Moonlight Sonata to identify the elements used in this song.
Project Reflection: “I didn’t feel this project was work. I thought it more like a hobby, just one more day doing what I like. I learned many things that I didn’t know about the theory, even though I have been playing the piano for several years now. It is the first time that I have shown many people what I can do or play, and that’s really exciting to finally share.”
Driving Question:How can we convey the complexities of ethnic and religious reconciliation through our experience of Bosnia and Herzegovina?
Students Lexie and Gigi decided to tackle an art form that was new to them for their project: crafting a mosaic. The project was filled with symbolism: breaking the tiles represented the destruction that took place during the 90s conflict. Putting the tiles back together in the shape of Bosnia showed that with hard work and time (and given that this was a new art form for the two of them, it required a lot of hard work and time), Bosnia can one again become, regardless of age, culture, ethnicity, or religion.
Lexie and Gigi visited Bosniak mosques, Serbian Orthodox churches, and Croatian Catholic churches to understand what color tiles to use in the mosaic. They learned that green is an essential color in Islam and is Muhammad’s favorite color, that Orthodox churches are often very colorful, and that Croatian Catholic churches heavily feature whites and golds.
Once they had identified color schemes and prominent designs, they created patterns based on what they had seen during their scouting process and featuring the colors mentioned above. Once the tiles were created, they smashed them into pieces (90s destruction). Next, they combined the colored elements with white tiles to form the outline of Bosnia and Herzegovina. To finish the piece, Lexie and Gigi grouted the gaps and glossed the top to make everything shine.
Driving Question: How can we convey the complexities of ethnic and religious reconciliation through our experience of Bosnia and Herzegovina?
For her summative assessment, Class of 2021 student Malak B. went an artful route by working on a series of pictures of Bosnian strangers. Each held up a flower representing a value that they believe leads to reconciliation, along with a description of why they hold that belief.
The end project demonstrated how different people in Bosnia and Herzegovina hold different views on reaching reconciliation. In the end, it turns out, no matter their ethnicity, everyone strives towards the same goal.
Driving Question: How can I become proficient in Australian slang through art?
Class of 2021 student Gigi E. designed her project on Australian slang and how it has become a part of the country’s identity. Her goal was to become competent and confident in communicating slang with the local community. She demonstrated this by creating a mini dictionary documenting Australian slang terms she learned through interactions with the locals.
“To further my understanding of Australian Slang, I thought there was no better source than the people of Australia themselves. Today I went around Scape and talked to people about their favorite Australian slang words. It was interesting to see how many of the terms that I already knew. Just from my experiences with Lexie and Elyce, I was able to learn a lot more terms than I thought I did.
The first people I interviewed were the people at the reception at Scape. They were able to confirm a bunch of the other terms that I had in my initial entries. This helped me know that they are still relevant and used today. One new word that they told me (which is now one of my favorite terms) is Eshay, a wannabe teenage gangster. They were able to show us pictures of what they meant and it was quite funny to walk around the city and recognize them on the streets.”
Driving Question: How can I use creative art practices to engage in discourse and dialogue on counterculture, social justice or everyday life through zines?
Project Description:
In this module I made a zine (book) about the life of Rupert Murdoch, why he does what he does, and how his influence works.
Quote:
I learned that with a little bit of inspiration and a non-judgemental audience, art becomes a lot easier.